Dedicated for SHABBAT PINCHAS 2779 to my father-in-law, Philip Oliver Richardson, Z”L”, and to his great-granddaughters, Noa and her sisters.
At first glance, Pinchas, like so many other weekly portions of the Torah, looks like a set of disparate pieces, thrown together with no particular logic. Some are boilerplate, others cinematically compelling. G-d rewards a zealot for a terrible act of violence and launches a war, but instead of taking us to the battle scene (the next week picks it up in Matot-Massei), a long, repetitive census interrupts the action. Five daughters provoke a revision in law and Moses dramatically transfers his power to Joshua, but a boring account of sacrifices deflate the end.
On closer inspection, though, Pinchas is a wonderfully coherent five-act play. Its hero isn’t a person but an idea, a revolutionary new concept of how a nation will transfer its legacy from one generation to another. In fact, at the risk of mixing metaphors, once we untangle (and then put back together) the threads, layers, cross-references, and perspectives on Israel’s legacy, a complex shimmering 3D tapestry – a hologram in which every part resonates with every other and every jot signifies the whole – comes into view. Continue reading “Pinchas: A five-act play about Jewish legacy”